About 'define bad debt'|...local levels to establish what we want to define as liberal and/or progressive. Second, we need to...without God. Many Christians are bad with god. So it's up to us to find out how...
Ｔｈｅ ｙｅａｒ ｗａｓ 1976 ａｎｄ ａ ｂａｒｅｂａｃｋ ｂｒｏｎｃ ｎａｍｅｄ Ｓｔｏｒｍｙ Ｗｅａｔｈｅｒ ｄｉｄ ｈｉｓ ｂｅｓｔ ｔｏ ｓｈａｋｅ ａ Ｗｙｏｍｉｎｇ ｃｏｗｂｏｙ. Ｗｈｅｎ ｔｈｅ ｄｕｓｔ ｓｅｔｔｌｅｄ ｉｎ ｔｈｅ ａｒｅｎａ Ｃｈｒｉｓ ＬｅＤｏｕｘ ｗｏｎ ｔｈｅ ｂｕｃｋｌｅ ｆｏｒ Ｗｏｒｌｄ Ｃｈａｍｐｉｏｎ. Ｈｅ'ｓ ｔｈｅ ｒｅａｌ ｄｅａｌ. Ｗｈｉｌｅ ｔｒａｖｅｌｌｉｎｇ ｔｏ ｒｏｄｅｏｓ ｈｅ ｈｅｌｐｅｄ ｐａｙ ｈｉｓ ｗａｙ ｗｉｔｈ ｈｉｓ ｏｔｈｅｒ ｔａｌｅｎｔ - ｗｒｉｔｉｎｇ ａｎｄ ｐｅｒｆｏｒｍｉｎｇ ｓｏｎｇｓ. Ｈｅ ｓｏｌｄ ｔａｐｅｓ ａｔ ｔｈｅ ｒｏｄｅｏｓ ｔｏ ｆｏｌｌｏｗ ｃｏｍｐｅｔｉｔｏｒｓ ａｎｄ ｗｏｒｄ ｏｆ ｍｏｕｔｈ ｂｒｏｕｇｈｔ ａ ｄｅｍａｎｄ. Ｔｈｅｎ ｏｎｅ ｄａｙ ｈｅ'ｓ ｄｒｉｖｉｎｇ ｄｏｗｎ ｔｈｅ ｒｏａｄ ａｎｄ ｏｎ ｔｈｅ ｒａｄｉｏ ｔｈｅｒｅ'ｓ ａ "ｐｒｅｔｔｙ ｇｏｏｄ ｃｏｗｂｏｙ ｓｏｎｇ" ｃｏｍｅ ｏｎ...ｔｈｅ ｎｅｗ ａｒｔｉｓｔ ｗａｓ ｓｉｎｇｉｎｇ ｏｆ ｔｈｅ ｔｒｉａｌｓ ｏｆ ｂｅｉｎｇ ａ ｒｏｄｅｏ ｒｉｄｅｒ. "...Ｔｈｅ ｃｏｍｐｅｔｉｔｉｏｎ'ｓ ｇｅｔｔｉｎｇ ｙｏｕｎｇｅｒ; ｔｏｕｇｈｅｒ ｂｒｏｎｃｅ Ｉ'ｖｅ ｎｅｖｅｒ ｋｎｏｗｎ...ａ ｗｏｒｎ ｏｕｔ ｔａｐｅ ｏｆ Ｃｈｒｉｓ ＬｅＤｏｕｘ, ｌｏｎｅｌｙ ｗｏｍｅｎ ａｎｄ ｂａｄ ｂｏｏｚｅ ｓｅｅｍ ｔｏ ｂｅ ｔｈｅ ｏｎｌｙ ｆｒｉｅｎｄｓ..." Ｔｈｅ ａｒｔｉｓｔ, ｏｆ ｃｏｕｒｓｅ, ｗａｓ Ｇａｒｔｈ Ｂｒｏｏｋｓ...ａｎｄ Ｃｈｒｉｓ' ｌｉｆｅ ｃｈａｎｇｅｄ. Ｃｈｒｉｓ ＬｅＤｏｕｘ ｐａｓｓｅｄ ａｗａｙ ｉｎ Ｍａｒｃｈ 2005 ｆｒｏｍ ｃｏｍｐｌｉｃａｔｉｏｎｓ ｆｒｏｍ ｌｉｖｅｒ ｃａｎｃｅｒ. Ｈｅ ｄａｎｃｅｄ ｗｉｔｈ ｍｏｒｔａｌｉｔｙ ｅａｃｈ ｒｉｄｅ ｏｎ ｔｈｅ ｒｏｄｅｏ ｃｉｒｃｕｉｔ, ａｎｄ ｉｎ ａ ｓｅｒｉｏｕｓ ｍａｎｎｅｒ ｗｈｅｎ ｈｅ ｂａｔｔｌｅｄ ａ ｌｉｖｅｒ ｉｌｌｎｅｓｓ ｔｈａｔ ｔｈｒｅａｔｅｎｅｄ ｈｉｓ ｌｉｆｅ ａｎｄ ｒｅｑｕｉｒｅｄ ａ ｔｒａｎｓｐｌａｎｔ. Ｈｅ ｒｅｃｏｖｅｒｅｄ, ａｎｄ ｒｅｃｏｒｄｅｄ "Ａｆｔｅｒ Ｔｈｅ Ｓｔｏｒｍ". Ｈｅ ｒｅｔｕｒｎｅｄ ｔｏ ｔｏｕｒｉｎｇ ａｎｄ ｗｏｒｋｉｎｇ ｏｎ ｈｉｓ ｒａｎｃｈ. "Ｈｏｒｓｅｐｏｗｅｒ" ｗａｓ ｒｅｃｏｒｄｅｄ - ａｎｄ ｉｔ ｗｏｕｌｄ ｂｅｃｏｍｅ ｔｈｅ ｌａｓｔ ＣＤ ｈｅ ｗｏｕｌｄ ｒｅｃｏｒｄ. Ｓｏｍｅ ｒｅｐｏｒｔｓ ｓｔａｔｅｄ Ｃｈｒｉｓ ｈａｄ ｓｏｌｄ ｔｈｏｕｓａｎｄｓ ｏｆ ｔａｐｅｓ ｂｅｆｏｒｅ ｅｖｅｒ ｌａｎｄｉｎｇ ａ ｒｅｃｏｒｄｉｎｇ ｄｅａｌ ｗｉｔｈ ａ ｍａｊｏｒ ｌａｂｅｌ. Ｗｉｔｈ ｄｏｚｅｎｓ ｏｆ ｒｅｌｅａｓｅｓ ｐｉｃｋｉｎｇ ｔｅｎ ｓｏｎｇｓ ｉｓ ａ ｔｏｕｇｈ ｔａｓｋ. Ｈｉｓ ｍｏｓｔ ｍｅａｎｉｎｇｆｕｌ? Ｔｈｅ ｂｉｇｇｅｓｔ ｓｅｌｌｅｒｓ? Ｔｈｅ ｇｒｅａｔｅｓｔ ｈｉｔｓ? Ｔｈｅ ｃｒｉｔｅｒｉａ ｉｓ ｐｒｏｂａｂｌｙ ｕｐ ｔｏ ｔｈｅ ｉｎｄｉｖｉｄｕａｌ ｂｕｔ ｔｈｅｒｅ'ｓ ａ ｌｉｓｔ ｔｈａｔ ｓｅｅｍｓ ｔｏ ｄｅｆｉｎｅ Ｃｈｒｉｓ ａｎｄ ｔｈｅ ｃｏｗｂｏｙ ｌｉｆｅ ｈｅ ｌｏｖｅｄ. "Ｔｈｅ Ｌｉｇｈｔ Ｏｆ Ｔｈｅ Ｗｏｒｌｄ" ｆｒｏｍ ｔｈｅ "Ｈａｙｗｉｒｅ" ＣＤ ｉｓ ａ ｔｒｉｂｕｔｅ ｔｏ ｅｖｅｒｙ ｄａｙ ｓｍａｌｌ ａｃｔｓ ｏｆ ｋｉｎｄｎｅｓｓ - ｔｈｅ ｗａｉｔｒｅｓｓ ｗｈｏ ｌｏｏｋｓ ｔｈｅ ｏｔｈｅｒ ｗａｙ ｔｏ ｈｅｌｐ ａ ｈｕｎｇｒｙ ｐｅｒｓｏｎ, ｔｈｅ ｔｒｕｃｋｅｒ ｗｈｏ ｇｉｖｅｓ ａ ｂｏｙ ａ ｒｉｄｅ ｉｎ ｔｈｅ ｓｔｏｒｍ..."Ｔｈｅｒｅ'ｓ ａ ｓｍａｌｌ ｌｉｇｈｔ ｉｎ ｔｈｅ ｄａｒｋ ｎｉｇｈｔ - ｈｕｍａｎ ｋｉｎｄｎｅｓｓ ｄｅｅｐ ｉｎｓｉｄｅ ｕｓ. Ｉｆ ｙｏｕ ｓｅｅ ｉｔ ｉｎ ｓｏｍｅｂｏｄｙ'ｓ ｅｙｅｓ ｔｈｅｒｅ'ｓ ｎｏ ｒｅａｓｏｎ ｔｏ ｂｅ ｓｏ ｓｕｒｐｒｉｓｅｄ..." "Ｌｏｏｋ Ａｔ Ｙｏｕ Ｇｉｒｌ" ｓｈｏｗｓ ｔｈｅ ｔｅｎｄｅｒ ｓｉｄｅ ｏｆ ａ ｍａｎ ｔｏｔａｌｌｙ ａｎｄ ｃｏｍｐｌｅｔｅｌｙ ｉｎ ｌｏｖｅ ｗｉｔｈ ｈｉｓ ｗｉｆｅ. Ｉｔ'ｓ ｏｎ ｓｅｖｅｒａｌ ｏｆ ｈｉｓ ｒｅｌｅａｓｅｓ ｉｎｃｌｕｄｉｎｇ ｔｈｅ "Ｗｈａｔｃｈａ Ｇｏｎｎａ Ｄｏ Ｗｉｔｈ ａ Ｃｏｗｂｏｙ" ＣＤ ａｎｄ ｉｓ ｖｅｒｙ ｓｉｍｐｌｅ ｉｎ ｃｏｎｔｅｎｔ...ｂｕｔ ｐｏｗｅｒｆｕｌ ｗｈｅｎ ｓｕｎｇ ｔｏ ｏｒ ｄｅｄｉｃａｔｅｄ ｔｏ ｓｏｍｅｏｎｅ. "Ｙｏｕ ｍｅａｎ ｅｖｅｒｙｔｈｉｎｇ ｔｏ ｍｅ...ａｎｄ Ｉ'ｄ ｄｏ ａｎｙｔｈｉｎｇ ｔｏ ｈａｖｅ ｙｏｕ ｓｔａｙ ｆｏｒｅｖｅｒ..Ｉ'ｍ ａｎ ｏｒｄｉｎａｒｙ ｍａｎ ｂｕｔ Ｉ ｆｅｅｌ ｌｉｋｅ Ｉ ｃａｎ ｄｏ ａｎｙｔｈｉｎｇ ｉｎ ｔｈｅ ｗｏｒｌｄ ｗｈｅｎ Ｉ ｌｏｏｋ ａｔ ｙｏｕ ｇｉｒｌ. Ｔｈｉｓ ｃｏｕｌｄ ｖｅｒｙ ｅａｓｉｌｙ ｂｅ (ａｎｄ ｈａｓ ｂｅｅｎ) ａ ｓｏｎｇ ｐｌａｙｅｄ ａｔ ｗｅｄｄｉｎｇｓ. "Ｓｅｖｅｎｔｅｅｎ" ｉｓ ｏｎｅ ｏｆ ｍａｎｙ Ｃｈｒｉｓ ｄｉｄ ａｂｏｕｔ ｔｈｅ ｅｖｅｒｙ ｄａｙ ｗｏｒｋｉｎｇ ｃｏｗｂｏｙ. Ｉｔ'ｓ ａ ｃｏｍｉｎｇ ｏｆ ａｇｅ ｓｏｎｇ - ａ ｙｏｕｎｇ ｍａｎ ｆｉｎｄｉｎｇ ｉｎｄｅｐｅｎｄｅｎｃｅ ｈｅａｄｉｎｇ ｏｕｔ ｏｎ ｔｈｅ ｒｏａｄ ｔｏ ｒｉｄｅ ｂｕｌｌｓ. "...Ｔｈｅ ｓｗｅｅｔ ｖｏｉｃｅ ｏｆ ｆｒｅｅｄｏｍ ｅｃｈｏｓ ｄｏｗｎ ｔｈｅ ａｇｅｓ..." ｉｓ ｔｈｅ ｔｈｉｎｇ ｔｈａｔ ｂｉｎｄｓ ｔｈｏｓｅ ｗｈｏ ｌｉｖｅ ｆｏｒ ｔｈｅ ｒｏｄｅｏ. "Ｗｈｅｎ ｈｅ ｗａｓ ｆｉｖｅ ｙｅａｒｓ ｏｌｄ ｈｉｓ ｍｏｍ ｔｏｏｋ ｈｉｍ ｄｏｗｎ ｔｏ ｔｈｅ ｒｏｕｎｄ ｃｏｒｒａｌ ｔｏ ｗｏｒｋ ｗｉｔｈ ａ ｈｏｒｓｅ ｎａｍｅｄ Ｓｍｏｋｅｙ ａｎｄ ｍａｎ ｄｉｄ ｔｈａｔ ｈｏｒｓｅ ｂｕｃｋ..." ｇｉｖｅｓ ｔｈｅ ｉｍｐｒｅｓｓｉｏｎ ｏｆ ａ ｃｈｉｌｄ ｔｈａｔ ｇｒｏｗｓ ｉｎｔｏ ａ ｙｏｕｎｇ ｍａｎ ｃｏｎｆｉｎｅｄ ｂｙ ｔｈｅ ｒｏｕｔｉｎｅ ｗｏｒｋ ｏｎ ａ ｒａｎｃｈ. Ｔｈｅ ｓｉｍｐｌｅ ｇｕｉｔａｒ ｗｏｒｋ ｂａｃｋｓ ｕｐ ａ ｓｉｍｐｌｅ ｓｏｎｇ ｂｕｔ ｅａｃｈ ｌｉｎｅ ａｄｄｓ ｔｏ ｔｈｅ ｓｔｏｒｙ. Ｏｎｅ ｄｏｅｓｎ'ｔ ｎｅｅｄ ｔｏ ｂｅ ａ ｒｏｄｅｏ ｒｉｄｅｒ ｔｏ ｒｅｌａｔｅ ｔｏ Ｃｈｒｉｓ' ｓｏｎｇｓ. Ｓｏｍｅｔｉｍｅｓ ｌｉｆｅ ｉｓ ａ ｂｉｇｇｅｒ ｒｉｄｅ ｔｈａｎ ｂｒｏｎｃｓ ａｎｄ ｂｕｌｌｓ. "Ｔｈａｎｋ Ｔｈｅ Ｃｏｗｂｏｙ Ｆｏｒ Ｔｈｅ Ｒｉｄｅ" ｄｅｐｉｃｔｓ ａ ｌｉｆｅｌｏｎｇ ｌｏｖｅ ｏｆ ｃｏｗｂｏｙｓ, ｓｔａｒｔｉｎｇ ｗｉｔｈ ａ ｃｈｉｌｄ ａｎｄ ｏｎ ｔｈｒｏｕｇｈ ｌｉｆｅ ｔｏ ａｄｕｌｔｈｏｏｄ. "Ｈｅ ｗａｓ ｐｕｓｈｉｎ' ｓｅｖｅｎ ｓｈｅ ｗａｓ ｂａｒｅｌｙ ｆｉｖｅ ｈｅ ｒｏｄｅ ｕｐ ｏｎ ｈｉｓ ｂｒｏｏｍｓｔｉｃｋ ｈｏｒｓｅ ａｎｄ ｓａｉｄ 'ｙｏｕ ｗａｎｔ ａ ｒｉｄｅ?'" Ｌｉｋｅ ｍａｎｙ ｏｆ Ｃｈｒｉｓ' ｓｏｎｇｓ ｔｈｉｓ ｃｏｕｌｄ ｂｅ ａｔ ｆａｃｅ ｖａｌｕｅ ｏｒ ｓｙｍｂｏｌｉｃ. "Ｈｅ'ｓ ａｌｍｏｓｔ 67 ａｎｄ ｓｈｅ'ｌｌ ａｄｍｉｔ ｔｏ 49 ｈｅ ｓｔｉｌｌ ｌｏｖｅｓ ｈｅｒ ｌｉｋｅ ａ ｃｈｉｌｄ ａｎｄ ｓｈｅ ｓｔｉｌｌ ｆｅｅｌｓ ｔｈｅ ｓａｍｅ..." "ｓｈｅ ｎｅｖｅｒ ｆａｉｌｓ ｔｏ ｓａｙ ｂｅｆｏｒｅ ｔｈｅｙ ｇｏ ｔｏ ｓｌｅｅｐ ｅａｃｈ ｎｉｇｈｔ 'Ｉ ｌｏｖｅ ｙａ ｃｏｗｂｏｙ ｔｈａｎｋ ｙｏｕ ｆｏｒ ｔｈｅ ｒｉｄｅ.'" "Ｃａｌｌ Ｏｆ Ｔｈｅ Ｗｉｌｄ" - ｉｆ ｔｈｅｒｅ ｗａｓ ａ ｓｏｎｇ ｕｓｅｄ ｔｏ ｄｅｐｉｃｔ ｐａｉｎｔｉｎｇ ｗｏｒｄ ｐｉｃｔｕｒｅｓ ｔｈｉｓ ｓｏｎｇ ｏｆ ａ ｑｕｅｓｔ ｆｏｒ ｆｒｅｅｄｏｍ ｉｓ ｓｕｒｅｌｙ ｉｔ. Ｉｔ ｓｔａｒｔｓ ｗｉｔｈ ｔｈｅ ｌｏｎｅ ｈｏｗｌ ａｎｄ ａ ｃｒａｃｋ ｏｆ ｔｈｕｎｄｅｒ. "Ｓｔｏｒｍ ｃｌｏｕｄｓ ａｒｅ ｂｕｉｌｄｉｎｇ ａｂｏｖｅ ｔｈｅ ｔｉｍｂｅｒｌｉｎｅ ｔｈｅ ｌｉｇｈｔｎｉｎｇ'ｓ ｆｌａｓｈｉｎｇ ａｃｒｏｓｓ ｔｈｅ ｍｏｕｎｔａｉｎｓｉｄｅ" ａｎｄ "ｔｈｅ ｂｕｇｌｅ ｏｆ ｔｈｅ ｂｕｌｌ ｅｌｋ ｅｃｈｏｓ ｔｈｒｏｕｇｈ ｔｈｅ ｐｉｎｅｓ ｔｈｅ ｎｏｒｔｈ ｗｉｎｄ ｍｏａｎｓ ｈｅｒ ｌｏｎｅｓｏｍｅ ｌｕｌｌａｂｙ ｈｅ ｈｕｎｇｅｒｓ ｆｏｒ ｔｈｅ ｆｒｅｅｄｏｍ ｏｆ ｔｈｅ ｅａｇｌｅ ａｓ ｈｅ ｇｌｉｄｅｓ..." ｐｕｔｓ ｔｈｅ ｌｉｓｔｅｎｅｒ ｍｅｎｔａｌｌｙ ｓｏｍｅｗｈｅｒｅ ｉｎ ｔｈｅ Ｒｏｃｋｉｅｓ ｆａｒ ｆｒｏｍ ｔｈｅ ｃｉｔｙ. Ｔｈｅ ｓｕｂｊｅｃｔ ｉｓ ｌｏｏｋｉｎｇ ｔｏ ｌｅａｖｅ ｔｈｅ ｃｉｔｙ - "ｌｉｖｉｎ' ｉｎ ｔｈｅ ｃｉｔｙ ｏｈ ｉｔ ｇｅｔｓ ｔｏ ｂｅ ａ ｇｒｉｎｄ, ｐｕｔｔｉｎ' ｉｎ ｈｉｓ ｈｏｕｒｓ, ｗｏｒｋｉｎ' ｏｖｅｒｔｉｍｅ". Ｖｅｒｙ ｗｅｌｌ ｄｏｎｅ. "Ｙｏｕ Ｊｕｓｔ Ｃａｎ'ｔ Ｓｅｅ Ｈｉｍ Ｆｒｏｍ Ｔｈｅ Ｒｏａｄ" - Ｔｈｅ ｃｏｗｂｏｙ ｔｒａｄｉｔｉｏｎ ｉｓ ｓｔｉｌｌ ａｌｉｖｅ ａｎｄ ｗｅｌｌ. Ｆｏｒ ｔｈｏｓｅ ｉｎ ｔｈｅ ｃｉｔｙ ｔｈｅｙ ｔｈｉｎｋ ｉｔ'ｓ ａｎ ｏｕｔｄａｔｅｄ ｃｏｎｃｅｐｔ. Ｃｏｗｂｏｙｓ ａｒｅｎ'ｔ ｏｎ ｔｈｅ ｂｉｇ ｓｃｒｅｅｎ, ａｓ ｎｏｔｅｄ ｉｎ ｔｈｅ ｆｉｒｓｔ ｌｉｎｅ, ａｎｄ ａｐｐｅａｒａｎｃｅｓ ａｒｅｎ'ｔ ａｃｃｕｒａｔｅ. "Ｂｕｔ ｈｅ'ｓ ｓｔｉｌｌ ｏｕｔ ｔｈｅｒｅ ｒｉｄｉｎ' ｆｅｎｃｅｓ, ｓｔｉｌｌ ｍａｋｅｓ ｈｉｓ ｌｉｖｉｎ' ｗｉｔｈ ｈｉｓ ｒｏｐｅ; ａｓ ｌｏｎｇ ａｓ ｔｈｅｒｅ'ｓ ａ ｓｕｎｓｅｔ ｈｅ'ｌｌ ｋｅｅｐ ｒｉｄｉｎ' ｆｏｒ ｔｈｅ ｂｒａｎｄ ｙｏｕ ｊｕｓｔ ｃａｎ'ｔ ｓｅｅ ｈｉｍ ｆｒｏｍ ｔｈｅ ｒｏａｄ." "Ｈｅ'ｓ ｈａｄ ｏｎｅ ｏｒ ｔｗｏ ｇｏｏｄ ｈｏｒｓｅｓ ｔｈａｔ ｈｅ ｃｏｕｎｔｓ ａｍｏｎｇ ｈｉｓ ｆｒｉｅｎｄｓ ｈｅ ｎｅｖｅｒ ｄｒｅｗ ａ ｂｒｅａｔｈ ｔｈａｔ ｗａｓｎ'ｔ ｆｒｅｅ." Ｔｈｅ ｃｏｗｂｏｙ ｃｏｄｅ ｒｅｍａｉｎｓ ａｎｄ ｔｉｍｅ ｐａｓｓｅｓ ｂｕｔ ｔｈｅｒｅ ａｒｅ ｓｔｉｌｌ ｈｏｎｅｓｔ, ｇｅｎｕｉｎｅ ｐｅｏｐｌｅ ｏｕｔ ｔｈｅｒｅ ｉｆ ｗｅ ｇｅｔ ｏｆｆ ｔｈｅ ｉｎｆｏｒｍａｔｉｏｎ ｈｉｇｈｗａｙ ａｎｄ ｔｈｅ ｉｎｔｅｒｓｔａｔｅｓ ａｎｄ ｌｏｏｋ. "Ｓｏｍｅ Ｔｈｉｎｇｓ Ｎｅｖｅｒ Ｃｈａｎｇｅ" - ｌｉｆｅ ｇｏｅｓ ｏｎ ｒａｎｃｈ. Ｔｈｉｓ ｄｕｅｔ ｗｉｔｈ Ｇａｒｔｈ ｆｒｏｍ ｔｈｅ "Ａｆｔｅｒ Ｔｈｅ Ｓｔｏｒｍ" ｃｄ ｗａｓ ｄｏｎｅ ａｆｔｅｒ Ｃｈｒｉｓ' ｌｉｖｅｒ ｔｒａｎｓｐｌａｎｔ. "Ｌｏｎｇ ｇｏｎｅ ａｒｅ ｔｈｅ ｃａｔｔｌｅ ｄｒｉｖｅｓ ｓｉｎｃｅ ｔｈｅｙ ｂｒｏｕｇｈｔ ｉｎ ｔｈｅ ｔｒａｉｎｓ ｂｕｔ ｔｈｅ ｈａｒｄ ｗｏｒｋ ａｎｄ ｔｈｅ ｆｒｉｅｎｄｓｈｉｐ ｓｔｉｌｌ ｒｅｍａｉｎ." "Ｏｕｔ ｈｅｒｅ ｗｈｅｒｅ ｎａｔｕｒｅ ｒｕｌｅｓ ｅａｃｈ ｄａｙ'ｓ ａ ｄｉｆｆｅｒｅｎｔ ｂａｔｔｌｅ ａｎｄ ｉｔ ｓｔｉｌｌ ｔａｋｅｓ ａ ｍａｎ ｗｏｒｋｉｎ' ｉｎ ｔｈｅ ｓａｄｄｌｅ..." ｉｓ ａ ｒｅｍｉｎｄｅｒ ｅｖｅｎ ｗｉｔｈ ａｌｌ ｔｈｅ ｔｅｃｈｎｏｌｏｇｙ ｗｅ ｈａｖｅ ｔｈｅｒｅ ａｒｅ ｓｏｍｅ ｔｈｉｎｇｓ ｍａｃｈｉｎｅｓ ａｎｄ ｃｏｍｐｕｔｅｒｓ ｃａｎ'ｔ ｄｏ...ｐｅｏｐｌｅ ａｒｅ ｓｔｉｌｌ ｎｅｅｄｅｄ ａｎｄ ｉｒｒｅｐｌａｃａｂｌｅ. "Ｗｅｓｔｅｒｎ Ｓｋｉｅｓ" ｉｓ ＣＨＲＩＳ. Ｔｈｅ ｅｎｃｏｕｒａｇｅｍｅｎｔ ｔｏ ｍｏｖｅ ｔｏ Ｎａｓｈｖｉｌｌｅ ａｎｄ ａ ｌｏｎｇ ｌｉｓｔ ｏｆ ｒｅａｓｏｎｓ ｓｅｔ ｔｏ ｍｕｓｉｃ ｏｆ ｔｈｅ ｔｈｉｎｇｓ ｔｈａｔ ｂｏｕｎｄ ｈｉｍ, ａｎｄ ｏｔｈｅｒｓ, ｔｏ ｔｈｅ ｍｏｕｎｔａｉｎｓ ａｎｄ ｔｈｅ ｐｒａｒｉｅｓ ｏｆ ｔｈｅ ｗｅｓｔ. Ｈｅ ａｌｗａｙｓ ｒｅｍａｉｎｅｄ ｉｎ Ｗｙｏｍｉｎｇ ａｎｄ ｔｒｕｅ ｔｏ ｈｉｓ ｏｗｎ ｉｄｅｎｔｉｔｙ. "Ｉｆ ｔｈｅｙ ｅｖｅｒ ｓａｗ ａ ｓｕｎｒｉｓｅ ｏｎ ａ ｍｏｕｎｔａｉｎ ｍｏｒｎｉｎｇ ｏｒ ｗａｔｃｈ ｔｈｏｓｅ ｃｏｔｔｏｎ ｃａｎｄｙ ｃｌｏｕｄｓ ｔｈｅｙ'ｄ ｋｎｏｗ ｗｈｙ Ｉ ｌｉｖｅ ｂｅｎｅａｔｈ ｔｈｅｓｅ ｗｅｓｔｅｒｎ ｓｋｉｅｓ". Ｔｈｅ ｌａｓｔ ｌｉｎｅｓ ｃａｍｅ ｕｐ ａ ｇｒｅａｔ ｄｅａｌ ａｆｔｅｒ ｈｉｓ ｄｅａｔｈ...ａｌｔｈｏｕｇｈ ｈｅ'ｄ ｄｏｎｅ ｔｈｉｓ ｓｏｎｇ ｆｏｒ ｙｅａｒｓ. "Ｉ ｌｏｖｅ Ｔｅｎｎｅｓｓｅｅ ｂｕｔ ｙｏｕ ｋｎｏｗ ｉｔ ｊｕｓｔ ａｉｎ'ｔ ｍｙ ｓｔｙｌｅ Ｉ ｇｏｔｔａ ｂｅ ｗｈｅｒｅ Ｉ ｃａｎ ｓｅｅ ｔｈｏｓｅ Ｒｏｃｋｙ Ｍｏｕｎｔａｉｎｓ, ｒｉｄｅ ｍｙ ｈｏｒｓｅ ａｎｄ ｗａｔｃｈ ａｎ ｅａｇｌｅ ｆｌｙ...Ｉ ｇｏｔｔａ ｌｉｖｅ ｍｙ ｌｉｆｅ, ｗｒｉｔｅ ｍｙ ｓｏｎｇｓ ｂｅｎｅａｔｈ ｔｈｅｓｅ ｗｅｓｔｅｒｎ ｓｋｉｅｓ...ａｎｄ ｗｈｅｎ Ｉ ｄｉｅ ｙｏｕ ｃａｎ ｂｕｒｙ ｍｅ ｂｅｎｅａｔｈ ｔｈｅｓｅ ｗｅｓｔｅｒｎ ｓｋｉｅｓ." "Ｉ Ｂｅｌｉｅｖｅ Ｉｎ Ａｍｅｒｉｃａ" - "Ｔｈｉｓ ｃｏｕｎｔｒｙ'ｓ ｓｅｅｎ ｓｏｍｅ ｈａｒｄ ｔｉｍｅｓ Ｌｏｒｄ ｋｎｏｗｓ ｓｈｅ'ｓ ｄｅｅｐ ｉｎ ｄｅｂｔ ｓｈｅ'ｓ ｃｏｍｉｎ' ｔｈｒｏｕｇｈ ａｎｏｔｈｅｒ ｄｅｐｒｅｓｓｉｏｎ ａｎｄ ｆｏｒ ｓｏｍｅ ｉｔ ａｉｎ'ｔ ｏｖｅｒ ｙｅｔ...ｗｅ'ｖｅ ａｌｌ ｂｅｅｎ ｄｉｖｉｄｅｄ ｂｙ ｏｕｒ ｏｗｎ ｓｅｌｆｉｓｈ ｇａｍｅｓ. Ｗｈｙ'ｓ ｉｔ ａｌｗａｙｓ ｔａｋｅ ｔｈｅ ｈａｒｄ ｔｉｍｅｓ ｔｏ ｂｒｉｎｇ ｐｅｏｐｌｅ ｂａｃｋ ｔｏｇｅｔｈｅｒ ａｇａｉｎ?" Ｔｈｉｓ ｓｏｎｇ ｈａｓ ｂｅｅｎ ｔｏｔａｌｌｙ ｏｖｅｒｌｏｏｋｅｄ ｉｎ ｔｈｅ ｗａｖｅ ｏｆ ｐａｔｒｉｏｔｉｃ ｓｏｎｇｓ ｆｏｌｌｏｗｉｎｇ 9/11 ｅｖｅｎ ｔｈｏｕｇｈ ｉｔ ｗａｓ ｄｏｎｅ ｌｏｎｇ ｂｅｆｏｒｅ ｔｈｅｎ. Ｉｔ'ｓ ａｄｍｉｔｔｉｎｇ ｗｅ'ｒｅ ｎｏｔ ｐｅｒｆｅｃｔ - ｂｕｔ ｗｅ'ｒｅ ｆｒｅｅ ａｎｄ ｗｅ ｈａｖｅ ｗｈａｔ ｓｏ ｍａｎｙ ｄｏｎ'ｔ. "Ｉ ｄｏｎ'ｔ ｂｅｌｉｅｖｅ ｙｏｕ ｃａｎ ｋｅｅｐ Ａｍｅｒｉｃａ ｄｏｗｎ ｆｏｒ ｌｏｎｇ." Ｖｅｒｙ ｍｕｃｈ ｄｅｓｅｒｖｉｎｇ ｏｆ ａ ＬＯＴ ｍｏｒｅ ｐｌａｙ ｔｈａｎ ｉｔ'ｓ ｈａｄ. "Ｏｎｅ Ｌｅｓｓ Ｔｏｒｎａｄｏ" - ｔｈｉｓ ｗａｓ ａ ｓｏｎｇ ｐｌａｙｅｄ (ａｌｏｎｇ ｗｉｔｈ "Ｓｃａｔｔｅｒ Ｔｈｅ Ａｓｈｅｓ") ａｔ ａｎ ｏｎｌｉｎｅ ｍｅｍｏｒｉａｌ ｆｏｒ Ｃｈｒｉｓ ａｆｔｅｒ ｈｉｓ ｐａｓｓｉｎｇ. Ｉｔ ｔｅｌｌｓ ｏｆ ａ ｒｉｄｅｒ ｂｅｉｎｇ ｋｉｌｌｅｄ ｂｙ ａ ｂｕｌｌ - ｉｔ'ｓ ａ ｔｒｉｂｕｔｅ ｔｏ ａ ｍａｎ ｈｅｌｄ ｉｎ ｈｉｇｈ ｅｓｔｅｅｍ ａｎｄ ｆｏｒ ｍａｎｙ ｔｈａｔ ｉｓ Ｃｈｒｉｓ. Ｅｖｅｒｙｏｎｅ ｗｈｏ'ｄ ｍｅｔ ｈｉｍ ｋｎｅｗ ｔｈｅｙ ｗｅｒｅ ｉｎ ｔｈｅ ｃｏｍｐａｎｙ ｏｆ ｓｏｍｅｏｎｅ ｗｈｏ ｗａｓ ｒｅａｌ - ｔｈｅｒｅ ｗａｓ ｎｏ ｐｒｅｔｅｎｓｅ. Ｈｅ'ｌｌ ｂｅ ｍｉｓｓｅｄ. Ｎｏｔ ｔｏ ｍｉｓｓ ｓｏｎｇｓ - Ｂａｒｅｂａｃｋ Ｊａｃｋ - ｏｎｅ ｏｆ Ｃｈｒｉｓ' ｍｏｓｔ ｒｅｑｕｅｓｔｅｄ ｓｏｎｇｓ ａｎｄ ｏｎｅ ｏｆ ｔｈｅ ｏｌｄｅｓｔ ｗｒｉｔｔｅｎ ｗｈｅｎ ｈｅ ｗａｓ ｒｉｄｉｎｇ ｂｒｏｎｃｓ. Ｗｉｔｈ ａｌｌ ｔｈｅ ｓｏｎｇｓ ｈｅ'ｄ ｄｏｎｅ ｉｔ ｓｅｅｍｅｄ ｅｖｅｒｙ ｓｈｏｗ ｔｈｅｒｅ ｗａｓ ｓｏｍｅｏｎｅ ｉｎ ｔｈｅ ａｕｄｉｅｎｃｅ ｙｅｌｌｉｎｇ "Ｂａｒｅｂａｃｋ Ｊａｃｋ!!" ａｎｄ ｉｆ ｔｈｅｒｅ ｗａｓ ａ ｓｉｇｎａｔｕｒｅ ｓｏｎｇ - ｆｒｏｍ ａ ｆａｎ ｓｔａｎｄｐｏｉｎｔ - ｐｅｒｈａｐｓ ｔｈｉｓ ｗｏｕｌｄ ｂｅ ｉｔ. Ｉｔ ｅｎｄｕｒｅｄ ｆｏｒ - ｌｉｔｅｒａｌｌｙ - ｆｒｏｍ ｔｈｅ 1960ｓ ｔｈｒｏｕｇｈ ｆｏｕｒ ｄｅｃａｄｅｓ ｏｆ ａ ｃａｒｅｅｒ - ｂｅｉｎｇ ｐｏｐｕｌａｒ ｉｎ ｔｈｅ '60ｓ, 70ｓ, 80ｓ, 90ｓ ａｎｄ ｕｐ ｕｎｔｉｌ ｈｉｓ ｕｎｔｉｍｅｌｙ ｄｅａｔｈ. Ｒｉｄｉｎｇ Ｆｏｒ ａ Ｆａｌｌ - ａｗｅｓｏｍｅ ａｎａｌｏｇｙ ｏｆ ｌｉｆｅ ａｎｄ ｈｏｒｓｅｓ. "Ｃｏｗｂｏｙ ｅｖｅｎ ｔｈｏｕｇｈ ｙｏｕ'ｒｅ ｒｉｄｉｎｇ ｔａｌｌ ｙｏｕ'ｒｅ ｒｉｄｉｎ' ｆｏｒ ａ ｆａｌｌ". Ｌｅａｖｉｎｇ ａ ｒｅｌａｔｉｏｎｓｈｉｐ ｔｏ ｍａｉｎｔａｉｎ ｆｒｅｅｄｏｍ ａｎｄ ｆｅｅｌｉｎｇ ｔｈｅ ａｇｅ ｃｒｅｅｐ ｉｎ ｉｓ ｆｏｏｌｈａｒｄｙ ａｎｄ ｉｎ ｔｈｉｓ ｓｏｎｇ Ｃｈｒｉｓ ｓｉｎｇｓ ｏｆ ｍａｋｉｎｇ ｃｈｏｉｃｅｓ ｔｈａｔ ｄｏｎ'ｔ ｍａｋｅ ｓｅｎｓｅ. "Ｗｈｙ ｄｏｎ'ｔ ｙｏｕ ｔｕｒｎ ｂａｃｋ ｊｕｓｔ ｓａｄｄｌｅ ｕｐ ａｎｄ ｂａｃｋｔｒａｃｋ" ａｎｄ "ｏｎ ａ ｃｏｌｄ ｌｏｎｅｓｏｍｅ ｅｖｅｎｉｎｇ ｗｈａｔ ｔｈｅ ｈｅｌｌ ｇｏｏｄ'ｓ ｙｏｕｒ ｆｒｅｅｄｏｍ?" Ｔｈｉｓ Ｃｏｗｂｏｙ'ｓ Ｈａｔ - ａ ｈａｔ ｉｓｎ'ｔ ｊｕｓｔ ａ ｈａｔ. Ｔｈｉｓ ｓｏｎｇ ｓｐｅａｋｓ ｏｆ ｔｈｅ ｄｉｆｆｅｒｅｎｃｅｓ ｂｅｔｗｅｅｎ ｐｅｏｐｌｅ ａｎｄ ｆｉｎｄｉｎｇ ａ ｓｉｍｉｌａｒｉｔｙ ｔｏ ｂｕｉｌｄ ｏｎ. Ｃｈｒｉｓ ｏｎｃｅ ｔｏｌｄ ｍｅ "ｓｏｍｅｔｉｍｅｓ ｉｔ ｔａｋｅｓ ｔｗｏ ｅｘｔｒｅｍｅｓ ｔｏ ｆｉｎｄ ａ ｍｉｄｄｌｅｇｒｏｕｎｄ". Ｉｎ ｔｈｉｓ ｓｏｎｇ ａ ｂｕｌｌｙ ｔｈｒｅａｔｅｎｓ ｔｏ ｔａｋｅ ａ ｃｏｗｂｏｙ'ｓ ｈａｔ - ａｎｄ ａ ｌｉｎｅ ｗａｓ ｄｒａｗｎ. Ｔｈｅ ｍｅａｎｉｎｇ ｉｎ ｌｉｔｔｌｅ ｔｈｉｎｇｓ ａｂｏｕｔ ｔｈｅ ｈａｔ ｉｓ ｄｅｓｃｒｉｂｅｄ ａｎｄ ｔｈｅ ｌｉｓｔｅｎｅｒ ｃａｎ'ｔ ｈｅｌｐ ｂｕｔ ｔｈｉｎｋ ｏｆ ｔｈｅ ｌｉｔｔｌｅ ｔｈｉｎｇｓ ｉｎ ｏｕｒ ｏｗｎ ｌｉｖｅｓ ｔｈａｔ ｍａｔｔｅｒ. Ｃｈｒｉｓ ｈａｄ ｈｉｓ ｏｗｎ ｕｎｉｑｕｅ ｗａｙ. Ｈｅ ｒｅｆｕｓｅｄ ｔｏ ｃｕｔ ｔｈｅ ｃｈｅａｔｉｎ' ｉｍｍｏｒａｌ ｓｏｎｇｓ. Ｈｅ ｓｔａｙｅｄ ｔｒｕｅ ｔｏ ｈｉｍｓｅｌｆ ａｎｄ ｈａｄ ｌｅｇｉｏｎｓ ｏｆ ｆａｎｓ. Ｈｅ'ｓ ｂｅｅｎ ｃｒｅｄｉｔｅｄ ｗｉｔｈ ｉｎｓｐｉｒｉｎｇ Ｇａｒｔｈ'ｓ ｓｔａｇｅ ｓｈｏｗ. Ｃｈｒｉｓ' ｓｈｏｗｓ ｗｅｒｅ ａ ｓｐｅｃｔａｃｌｅ - ｈｅ ｗａｓ ｔｈｅｒｅ ｔｏ ｋｉｃｋ ｉｔ ｕｐ ａｎｄ ＥＮＴＥＲＴＡＩＮ. Ｈｅ'ｄ ｈａｖｅ ａ ｂｕｃｋｉｎｇ ｍａｃｈｉｎｅ ｏｎｓｔａｇｅ ａｎｄ ｇｅｔ ｏｎ ｉｔ ｆｏｒ ａ ｒｏｄｅｏ ｓｏｎｇ...ｈｅ'ｄ ｓｌｏｗ ｉｔ ｄｏｗｎ ｆｏｒ ａ ｂａｌｌａｄ ｔｈｅｎ ｋｉｃｋ ｔｈｉｎｇｓ ｕｐ ａｇａｉｎ ｉｎ ａ "ｒｏｄｅｏ ｒｏｃｋ & ｒｏｌｌ" ｓｏｎｇ ｌｉｋｅ "Ｌｉｔｔｌｅ Ｌｏｎｇｈａｉｒｅｄ Ｏｕｔｌａｗ". Ｈｅ'ｓ ｈａｄ ｏｌｄｅｒ ｓｏｎｇｓ ｔｈａｔ ｒｅｓｏｎａｔｅ ｌｉｋｅ "Ａｉｎ'ｔ Ｎｏ Ｐｌａｃｅ ｆｏｒ ａ Ｃｏｕｎｔｒｙ Ｂｏｙ", "Ｔｈｅ Ｂｕｃｋｓｋｉｎ Ｌａｄｙ", "Ｊｅａｎｓ Ａｎｄ Ｇｏｏｄ Ｌｅａｔｈｅｒ" ａｎｄ "Ｔｅｎ Ｓｅｃｏｎｄｓ Ｉｎ Ｔｈｅ Ｓａｄｄｌｅ." Ｈｅ'ｓ ｄｏｎｅ ｃｏｖｅｒｓ ｏｆ ｏｔｈｅｒ ｓｏｎｇｓ ｓｕｃｈ ａｓ ｔｈｅ Ｃｈａｒｌｉｅ Ｄａｎｉｅｌｓ ｗｒｉｔｔｅｎ "Ｂｉｌｌｙ Ｔｈｅ Ｋｉｄ", "Ｇｏｄ Ｍｕｓｔ Ｂｅ Ａ Ｃｏｗｂｏｙ," "Ｏｌｄ Ｐａｉｎｔ" ａｎｄ ａ ｈａｕｎｔｉｎｇ, ｃｏｎｖｉｎｃｉｎｇ ｒｅｎｄｉｔｉｏｎ ｏｆ ｔｈｅ ｏｌｄ Ｊｉｍ Ｒｅｅｖｅｓ ｓｏｎｇ "Ｔｈｅ Ｂｌｉｚｚａｒｄ." Ｈｉｓ ｓｔｅａｄｙ ｆａｎ ｂａｓｅ - ｔｈｅｒｅ ｂｅｆｏｒｅ ａｎｄ ａｆｔｅｒ ｔｈｅ Ｎａｓｈｖｉｌｌｅ ｈｉｇｈ ｏｆ ｔｈｅ '90ｓ - ｗａｓ ｔｈｅ ｒａｎｃｈｉｎｇ, ｆａｒｍｉｎｇ, ｗｏｒｋｉｎｇ ｐｅｏｐｌｅ, ｒｏｄｅｏ ｆｏｌｋｓ. Ｔｈｅ ｋｉｎｄ ｏｆ ｐｅｏｐｌｅ ｗｈｏ ｃｏｕｌｄ ｓａｄｄｌｅ ａ ｈｏｒｓｅ ａｎｄ ｈａｄ ｓｗｅａｔｅｄ ｕｎｄｅｒ ｔｈｅ ｓｕｎ ｍａｋｉｎｇ ｔｏｏ ｌｉｔｔｌｅ ｍｏｎｅｙ ｆｏｒ ｔｏｏ ｍｕｃｈ ｅｆｆｏｒｔ ｂｕｔ ｎｏｔ ｗｉｌｌｉｎｇ ｔｏ ｃｈａｎｇｅ ｉｔ ｆｏｒ ａ ｄｅｓｋ ｊｏｂ. Ｔｏｄａｙ ｈｉｓ ｌｏｎｇ ｔｉｍｅ ｂａｎｄ, Ｗｅｓｔｅｒｎ Ｕｎｄｅｒｇｒｏｕｎｄ, ｓｔｉｌｌ ｔｏｕｒｓ, ｋｅｅｐｉｎｇ Ｃｈｒｉｓ' ｍｅｍｏｒｙ ａｎｄ ｍｕｓｉｃ ａｌｉｖｅ. |
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...nothing more than a simple existence without worry of debt and losing all they have needlessly...wish you well. The truth is I expect the worst from everything and everyone. The truth is...
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